Historical Collections of The Hawaiian Islands - Part 2 - The Ancients ************************************************ Copyright. All rights reserved. http://www.usgwarchives.net/copyright.htm http://www.usgwarchives.net/hi/hifiles.htm ************************************************ File contributed for use in USGenWeb Archives by: by Darlen6 E. Kelley November 7, 2006 http://www.genrecords.net/emailregistry/vols/00026.html#0006374 +++++++++++++++++++++++++++++++ Historical Collections of Hawaii Keepers of the Culture Influence of Foreigners on the Ancients Part 2. The Ancients How they lived. The coming of Foreigners to Hawaii ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Part 2. The religion of the Hawaiians was essentially a nature worship. They were profoundly impressed with the mystery of nature, with the manifestions on every side of a power which they could not see and did not understand. The ceremonial system was designed to establish and preserve the right relationship between man and this unseen power. The native's sense of the presence of his gods was by no means a vague feeling. In the elements and in nature about him, he saw and felt the beings whom he venerated. In Hawaii the rain clouds are referred to in prayer as the bodies of Lono, the rain god, The more immediate features and objects of nature were all the children of the gods. The gods of the Polynesians were personified concepts that, on the one hand, embodied the desires and needs, the hopes and dreads of their worshippers; and, on the other hand, individualized the elements and forces that they observed in nature. As one might expect from this concept, there were many gods. One chant speaks of four hundred thousand gods and there was of necessity a graduation of rank and a difference of character among them. The great gods of Hawaii were Kane, Ku, Lono, and Kanaloa. Each of these four gods was worshipped under various special attributes or functions, which afterwards came to be regarded as different persons, so that there were, in a manner of speaking, several different varieties of Kane, Ku, and Lono. The god Ku-kailimoku, a war god and the special god of the kings of Hawaii, was of great importance during the latter part of Hawaii's ancient history, and in the reign of Kamehameha I. Pele, goddess of the volcano, was especially feared and worshipped in the southern part of Hawaii. Among the higher ranks of the Hawaiian priesthood there may have existed a conception of a Supreme Being, who over topped all the other gods. The place devoted for the public worship of the gods was called a heiau; it consisted of one or more stone paved patforms or terraces enclosed by stone walls and containing various objects, houses, and other structures, each of which had some special use in the ceremonies. There were several classes of heiau, in one of which human sacrifices were offered. There were certain tabu days in each month, when the rites of the heiau were attended to, besides the formal services in the heiau, religious ceremonies were performed in connection with all important activities in which the Hawaiians engaged, whether in fishing, in agriculture, in war, or in the making of a house or a canoe. The object being to gain the favor of the god of the particular activity and thus insure success for the enterprise. The makahiki season, the four months, beginning in October or November was tax gathering time. This was a period which warfare was not carried on, but in which sports were more extensively practiced than at other times. Lono ( Lono-makua, father Lono ) was the god of the makahiki. Usually as one of the activities of the season, an image of the god was made, consisting of a small figure on a long pole. Below the image was fixed a crosspiece on which were hung several leis and a sort of banner made of kapa. This god thus adorned, was carried all around the island, stopping at the boundary of each district to receive the taxes. On this circuit, Lono-makua is accompanied by another god, an akua paani ( god of sports.) Interwoven with the religion of ancient Hawaii and all the Polynesians and with governmental and social organization, was the kapu system. This was the feature of the Hawaiian culture which made the deepest impression upon most of the early foreign visitors, who saw only the outer manifestations of the system and who in their descriptions emphasize its bizarre restrictions and cruel sanctions. In one aspect, the kapa system of rules which regulated the daily life of the different classes of society and insured the subordination of the lower to the higher, the maintenance of an aristocratic type of government and a caste sytem. From a more fundamental viewpoint,the kapu system grew out of a dualistic conception of nature which placed on the one side that which was sacred and divine, the male principle, light, life, etc.; while on the otherside were the common and unsacred, the female principle, darkness, death, and etc. As a substantive, the word kapu means a prohibition or restriction. Anything associated with the gods acquired sacredness; hence there were kapus relaing to the priests, heiaus, and all other things dedicated to the gods. The chiefs ( alii ) were believed to be descended from the gods, hence there were many kapus referring to them; they were , however, degrees of sacredness among the chiefs; the highest of all, the alii-kapu, was thought of as being, in some sense, an actual god. Through him the nation was kept in rapport with the supernatural realm. Hence he was surrounded with many and very rigid kapus, in order to prevent any interruption of good relationship between the people collectively and the gods. In this manner the interests of all were deeply involved and there was little likelihood of these kapus being violated. In the fundamental conception noted above can be discovered, likewise, the reasons for the eating kapus and the restrictive kapus affecting women. Besides the permanent kapus, there were kapus of a periodical character, and the chiefs and priests might impose special and temporary ones. Penalties for violation of kapu without being aware of the fact, did not save him from penalty, As might be expected, the kapu system was most hampering, if not actually oppressive in its effect on the common people and upon women of all classes. It was, moreover, susceptible of great abuse and unquestionably was abused at times. At the top of the social scale were the alii or chiefs, a highly privileged class. Closely associated with them were the priests. Below the chiefs were the mass of the people, called the makaainana, those who lived on the land. It is described as follows; " The condition of the common people was that they were in subjection to the chiefs, compelled to do their heavy tasks, burdened and oppressed, some even to death. The life of the people was one of patient endurance, of yielding to the chiefs to purchase their favor. It was from the common people, however, that the chiefs received their food and their apparel for men and women, also their houses and many other things. When the chiefs went forth to war some of the commoners also went out to fight on the same side with them. It was the commoner also that did all the work on the land; yet all they produced from the soil belonged to the chiefs, who had the power to expel a man from the land and rob him of his possessions." The people had different occupations; some were farmers, others were fisherman, house builders, canoe builders, bird catchers ( who collected the feathers for capes, cloaks, and helmets), and so on. Below the commoners was a dispised class of slaves called kauwa, but apparently they were not very numerous and not much is known about them. Although the Hawaiians had not reduced their language to writing, they had an extensive literature accumulated in memory, added to from generation to generation, and handed down by word of mouth. Children learned from the parental family, at their knee, by stories and chants handed down as they before had been told. Stories consisted of songs ( meles ) of various kinds, genologies and honorific chants, stories and traditional lore in which were imbeded fragaments of history and biography. Much of this composed in the form of poetry characterized by imaginative art and literary skill of a high order. Emerson states," that the poetry of ancient Hawaii evinces a deep and genuine love of nature, and a minute, affectinate, and untiring observation of her moods, which it would be hard to find surpassed in any literature. Her poets never tire of depicting nature; sometime, indeed, their art seems heaven-born. The mystery, beauty, and magnificence of the island world appealed profoundly to their souls; in them the ancient Hawaiian found the image of man the embodiment of Diety; and their myrid moods and phases were for him an inexhaustible spring of joy, refeshment, and delight." Much of the poetry of the old Hawaii was used as an accompaniment to the hula, a large part of it being composed especially for that purpose. The hula was in a sense a religious exercise, its main purpose being to honor the chiefs, and was carried on under the patronage of the goddess Laka. Whatever the hula may have become in later days, competant students of Hawaiian culture have declared that the sacred hula of the olden time was a delicate, graceful, artistic, and apropriate form of dancing. The hula was not a sport, not something that could be engaged by anyone; to become a dancer required a long and rigid course of training under a teacher of the hula. ( kumu-hula .) The hula was a form of entertainment that could be witnessed and enjoyed by people of all ranks, high or low, and took the place of our concert hall, opera and theater, and thus became one of their chief means of social enjoyment. Of the sports and games of old Hawaii, the most exhilerating and heathful were swimming and surf-riding, which was enjoyed by all classes of the population, young and old alike. Coasting down steep slopes on specially prepared courses covered by dried grass laid over stones and earth was a sport practiced extensively by the alii; it required skill and daring, the sled used having runners only a few inches apart. Children played a simular game, sliding down hills on ti or coconut leaves. Boxing and wrestling were much favored, especially during the makahiki season when large tournaments were held. Foot racing was a popular sport. The Hawaiians had several games of skill such as bowling with ulumaika stones and throwing darts of various kinds, arrows, and spears. They also had a number of guessng games which were very popular, and a game called Konane that was somewhat like checkers but played on a larger board with more pieces. Interest in games and sports heightened by bets laid on their outcome by participants and spectators; this was sometimes carried to such extreme that an unlucky wager on a foot race or a wrong guess in the game "puhenehene" might cost a person all his possessions and even his life. Military exercises and sham battles, training the people for warfare, had many of the characteristics of games. Viewed as a whole, the ancient Hawaiian civilization had some resemblance to the ancient civilizations of the Mediterranean region and Asia; it exhibited a highly cultivated upper class supported upon a substucture composed of an under- priviledged lower class. The common peoples of Hawaii had little opportunity and a little incentive to improve their status; but on the other hand they were probably less down trodden than the lower classes of Europe in the eighteenth century and they lived certainly in a more comfortable environment. +++++++++++++++ The coming of Foreigners in Hawaii In the last quarter of the eighteenth century the Hawaiian islands were visted by representatives of a strange foreign culture, that of Europe and America. The first group was a British exploring expedition, and it was followed by other simular expeditions and by traders. From time to time a few foreigners left the ships on which they came to Hawaii and remained on the islands, some as transient visitors, some as traders who stayed for a few months or a few years, some as permanent residents. Little by little the invading culture made its impress and became a major factor in the life of Hawaii aand fairly disorganized and overwelmed the old culture of the islands. In Hawaii, as did in other parts of the world, the main carriers of the foreign culture were traders and missionaries, though in Hawaii the missionaries came considerably later than the traders, supplimented by the official representatives of foreign governments, such as navel officers and consular agents. Unfortunately, none of the foreigners who came to the Islands in the early period, including the missionaries who followed soon after, had any adequate understanding or appreciation of the native culture or considered it, or any important part of it, worth perserving. None of them had the knowledge or the training that would have fitted them to help the natives find a new way of life based on the old culture but reconciled with the new. The strange new ideas and practices broke the force of the old kapus, weakened the relationship between the common people and their leaders from time immemorial, and set the Hawaiians adrift on a competitive sea whose winds and currents baffled them for many years. It was Captain James Cook of the British navy who brought Hawaii once more into contact with the outside world. When he visited the islands, Cook was at the top of a brilliant career, engaged in the last of three prolonged voyages which gained for him enduring fame as one of the world's greatest navigators and explorers. In the early part of 1778, the two ships of his squadron, the Resolution and the Discovery, were sailing north from the Society Islands toward the northwest coast of America, when on the morning of January 18, they found themselves in the midst of the western islands of the Hawaiian group. Oahu was first seen and Kauai not long afterwards. The explorers shaped their course for the latter island and came to anchor off the village of Waiimea on the afternoon of January 20. 1778. ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ To be continued in part 3.