R&B Singing Legend Jessie Hill Is Dead At 64 Times Picayune 09-24-1996 ************************************************* Copyright. All rights reserved. http://www.usgwarchives.net/copyright.htm http://www.usgwarchives.net/la/lafiles.htm ************************************************ Singer Jessie Hill, whose signature song "Ooh Poo Pah Doo" became one of the most enduring anthems from the golden age of New Orleans rhythm and blues, died Sept. 17 of kidney and congestive heart failure. He was 64. "What a tragic loss for New Orleans music," said Bernie Cyrus, executive director of the Louisiana Music Commission, who adopted Mr. Hill's famous line as his catch phrase when he hosted "LTV," a Louisiana music show on cable TV. "Here's a guy who coined a phrase and a song that will live in rock 'n' roll history forever. He had such a unique thing. He had a way of getting something out of nothing. He was truly a legend." "He was like Fess (Professor Longhair) in many ways," said Louisiana Music Factory co-owner Jerry Brock, a longtime associate of Mr. Hill's. "He and Fess would write these rhyming, nonsensical lines, like 'ooh poo pah doo.' They were unique, original artists. I could never get over how creative Jessie was. He could take the simplest things and make great little funk tunes out of it." Mr. Hill was part of an extended New Orleans musical family that included Walter "Papoose" Nelson, Fats Domino's longtime guitarist; vocalist Lawrence "Prince La La" Nelson and the Lastie clan. He grew up in the 9th Ward and began playing drums as a child. In the early 1950s, he put together an R&B band called the House Rockers. After that band broke up, Mr. Hill drummed with the legendary Professor Longhair's group and Huey Smith's Clowns. In 1958 he reassembled the House Rockers and soon thereafter came up with "Ooh Poo Pah Doo (Pt. I & II)." In "I Hear You Knockin'," a history of New Orleans rhythm and blues, author Jeff Hannusch said Mr. Hill got the idea from a blues piano player called Big Four. Mr. Hill jotted the words down on a paper bag and stuck it in his back pocket. Later he turned the words into one of the biggest hits to come out of New Orleans in that era. "We started playing 'Ooh Poo Pah Doo' as a gimmick," Mr. Hill told Hannusch. "It got real popular everywhere we'd play, so I'd say, 'Y'all ready for my new record? We're going to cut it pretty soon.' So they were all singing it on my little circuit. They were ready for it when it did come out." The song was a classic novelty hit, with nonsensical lines such as "I wanna tell you 'bout ooh poo pah doo . . . an' I won't stop cryin' till I create a disturbance in your mind." Allen Toussaint, the song's producer, first thought it was too goofy to be a hit. "I didn't think it made sense," he told Hannusch. "I thought songs had to be more expressive. But when I saw the effect it had on other people, I began to look at things differently." Originally released by Minit Records in 1959, the single quickly caught on locally. By mid-1960, it had risen to No. 28 on the national charts, enabling Mr. Hill to tour the country. "I hit the road," he said. "The Apollo Theater, man, I went all across the country. I was making more money than I ever saw in my life." But Mr. Hill's subsequent records failed to match the success of "Ooh Poo Pah Doo," although "Whip It on Me" did crack the Billboard Hot 100. He moved to California, where he hooked up with fellow New Orleans expatriates Mac "Dr. John" Rebennack and Harold Battiste, Sonny and Cher's music director, and began a successful career as a songwriter for other artists. His material was recorded by artists such as Ike and Tina Turner, Sonny and Cher and Aretha Franklin. After a series of mishaps, he moved back to New Orleans in 1977. Waving his trademark two tambourines, he performed around town with various pick-up bands, opened shows for Domino and performed annually at the New Orleans Jazz and Heritage Festival, but he couldn't keep a steady band together and had difficulties making ends meet as a musician. For a time he drove a cab. "He had tremendous success and tremendous failure," Brock said. "He had his ups and downs, and always did." "Whenever I talked about musicians that didn't get what they deserved, Jessie was the first person to come to mind," Cyrus said. Mr. Hill was one of "the R&B stars of New Orleans that had their chance in the sun and didn't get to see their garden continue to grow. Jessie was in a situation where his garden had a lot of weeds in it." "He was a beautiful cat," Brock said. "His life was all about the music. I bet there's tons of recorded material that hasn't come out and will." Survivors include his wife, Dorothy Hill; nine daughters, Dorothy Martin, Lois Andrew and Linda, Cynthia, Sandra, Jessie Lee, Judy, Tonya and Dionne Hill; five sons, Fritz, Lionel, Terry, Eric and Jessie Hill Jr.; 50 grandchildren; and 20 great-grandchildren. A funeral will be held Friday at 8 p.m. at St. James Methodist Church of Louisiana, 1925 Ursulines Ave. Dismissal will be Saturday at 10 a.m. at the church, followed by a jazz funeral procession from the church to the Treme Center for a reception. Burial will be Saturday afternoon in Holt Cemetery.