OHIO STATEWIDE FILES OH-FOOTSTEPS Mailing List *********************************************************************** USGENWEB NOTICE: These electronic pages may NOT be reproduced in any format for profit or presentation by other organization or persons. Persons or organizations desiring to use this material, must obtain the written consent of the contributor, or the legal representative of the submitter, and contact the listed USGenWeb archivist with proof of this consent. The submitter has given permission to the USGenWeb Archives to store the file permanently for free access. *********************************************************************** OH-FOOTSTEPS-D Digest Volume 99 : Issue 505 Today's Topics: #1 HAMILTON COUNTY PART 40 [AUPQ38A@prodigy.com (MRS GINA M RE] ------------------------------ X-Message: #1 Date: Thu, 15 Jul 1999 22:50:12, -0500 From: AUPQ38A@prodigy.com (MRS GINA M REASONER) To: OH-FOOTSTEPS-L@rootsweb.com Message-Id: <199907160250.WAA12494@mime3.prodigy.com> Subject: HAMILTON COUNTY PART 40 Content-Type: Text/Plain; charset=US-ASCII HISTORICAL COLLECTIONS OF OHIO By Henry Howe, LL.D., 1898 HAMILTON COUNTY PART 40 One day, just before the war, standing on our office steps in Cincinnati, there passed by a young man about thirty years of age. He was alone, and as he approached we looked at him with unusual interest. He was rather short in stature, thin in the flanks, but broad, full chested. His complexion was very fair, and beard long, flowing and silky, and his face frank and genial. He walked erect and, as was his wont, very leisurely, and with a side-to-side swing. As his eye met ours a slight smile flit over his face, not one of recognition for there was no acquaintance. Probably his mind was far away and he did not see us, and it was the memory of a happy incident that had lighted his face with the momentary joy. Possibly it was the earnestness of our gaze, if perchance he noticed it, but that was pardonable. His fellow-citizens were proud of him and liked to gaze upon him being, as he was, to the manor born and a man of poetic genius, Wm. HAINES LYTLE, the author of "Antony and Cl eopatra," whose name was to go down to posterity as the "Soldier Poet." His reputation at the time was that of being highly social and possessed of winning politeness, a modest bearing and chivalrous spirit. One by our side who was under him, as we write, says: "My regiment was marching as an escort to some baggage wagons when an aid galloped up to me and said, 'General Lytle sends his compliments to Col. Beatty with the request to send a company to the rear to guard against guerrillas.'" To be ever courteous seems to have been as a sort of intuition with him, and showed the high refinement of the man. It is said that just before the fatal charge at Chickamauga he drew on his gloves with the remark, "If I must die I will die as a gentleman." Whether true or a myth it matters not: if a myth its invention shows it was characteristic and, therefore, spiritually true. Wm. Haines Lytle came from a Scotch-Irish stock, and noted for warlike qualities and experiences. He was born in the old Lytle mansion on Lawrence street, November 2, 1826, graduated at Cincinnati College at twenty years of age, following his naturally military instincts became a Captain in Second Ohio in the war with Mexico, studied and practiced the law, was a member of the Ohio Legislature, in 1857 was Major-General of the State militia. When the rebellion broke out he was commissioned Colonel of the Tenth Ohio, the Cincinnati Irish regiment, which he led into Western Virginia, and fell wounded at Carnifex Ferry while leading a desperate charge; was again badly wounded and taken prisoner at Perrysville, where his regiment suffered terrible loss. He was commissioned General and commanded the First Brigade of Sheridan's division on the fatal field of Chickamauga, where he fell at the head of his column while charging, pierced by three bullets. Captain Howard Green, a volunte er aid, sprang from his horse, received the General in his arms, and was rewarded with a smile of grateful recognition. Several officers and orderlies attempted to bear him off the field. The peril of this undertaking may be imagined since two of the orderlies were killed, and Col. Wm. B. McCreary wounded and left for dead on the field. General Lytle repeatedly opened his eyes and motioned to his friends to leave him and save themselves. Finally, upon coming to a large tree upon a green knoll, they laid him down. He then handed his sword to one of the orderlies, and waving his hand toward the rear, he thus tried to express with his last breath that his well-tried blade should never fall into the hands of the enemy. So closed the life of the poet-soldier, Lytle. His death found him, as he prophetically wrote years before: "On some lone spot, where, far from home and friends, The way-worn pilgrim on the turf reclining, His life, and much of grief, together ends." Lytle had many friends in the Southern army, and his remains were treated with every mark of respect, his mourners being alike his friends and foes. His body was temporarily buried in a coffin until they could be sent home. Until the outbreak of the war poetry was to him a frequent occupation and amusement. That on which his fame will permanently rest, "Antony and Cleopatra," was originally published, in 1857, in the Cincinnati Enquirer. When preparing for our first tour over Ohio we passed a few days in the rooms of Dr. Randall, Secretary of the Cincinnati Historical and Philosophical Society. The Doctor then mainly constituted the society. A few years later he was shot while dodging somewhere in California behind a counter to avoid the ire of a pursuing ruffian; but the society still survives. He had as an office mate L.A. Hine, then youthful, large and handsome, who was trying to reform a deceptive and deceiving world by publishing a magazine called "The Herald of Truth," wherein was duly set forth a nice project for "Land for the Landless;" and then later he established his permanent home with his family at a spot properly named for domestic felicity; it being Love Land. The rooms were on East Fifth street, opposite the old Dennison House, where the well-fed, portly form of Landlord Dennison, father of then-to-be war Governor, was a daily object for pleasing contemplation. Alongside was the horse market, where for decades were daily sales of horses, sold amid crowds of coarse-grained men, unearthly, confusing yells and poundings of auctioneers, and the scampering to and fro on bareback horses of stable boys through the street to show their points. On looking upon the spot, its vulgarity and coarseness, its yells and shouting, and often oaths, it seemed as though the gates of heaven must be afar: at least there appeared no one in search of them in that vicinity. To enhance the attractions it was at a time when the city was termed Porkopolis, its citizens Porkopolitans, for swine had full liberty of the streets, living upon their findings, or going in huge droves stretching from curb to curb to temporary boarding places in the suburbs of Deer c reek. One day, while there in the rooms of the society, in bounced two laughing, merry country girls. Some jokes passed between them and the Doctor and Hine, and then they bounced out. They were from a rural spot eight miles north of the city, and well named Mount Healthy, their names Alice and Phoebe Cary, girls then respectively 26 and 22 years of age, and just rising into fame. The portraits as published are not at all as they were then. Phoebe had a round, chubby face, and seemed especially merry. Alice we again saw and but once years later at a concert by Jenny Lind in the old National Theatre on Sycamore, near Third street. She was then small and delicate with an oval face, expression sedate and thoughtful. She was attired in Quaker-like simplicity, her dark hair parted in the middle and combed smooth over the brow. No maiden could look more pure and sweet than she on that evening. Her appearance remains as "a living picture on memory's wall." By her sat that most superb-looking rosy-cheeked old man, Bishop M'Ilvaine, whose resemblance to Washington was of almost universal remark. Robert Cry, the father of the Cary sisters, came in 1803 to the "Wilderness of Ohio" from New Hampshire, and in 1814 married Elizabeth Jessup and made a home upon the farm afterwards known as the "Clovernook" of Alice Cary's charming stories. Their mother, a sweet woman of literary tastes, died in 1835, and two years later their father married again. Alice was then 17 and Phoebe 13 years of age. Their stepmother was unsympathetic with their literary aspirations, which at this time were budding. Work with her was the ultimatum of life, and while they were willing and aided to the full extent of their strength in household labor, they persisted in studying and writing when the day's work was done, while she refusing the use of candles to the extend of their wishes, they had recourse to the device of a saucer of lard with a bit of rag for a wick after the rest of the family had retired. Alice began to write verses at 18, and Phoebe some years after her. For years the Cincinnati papers formed the principal medium by which they became known, then followed the ladies' Repository of Boston, Graham's Magazine, and the National Era of Washington. Recognition from high authorities at the East then came to their Western home . John G. Whittier and others wrote words of encouragement, and Edgar Allan Poe, pronounced Alice's "Pictures of Memory" one of the most musically perfect lyrics in our language. In 1849 a great event occurred to the sisters - a visit to their home from Horace Greeley. The philosopher had come to the city and wanted the pleasure of an acquaintance with these rural maidens, whose simple, natural verses of country life had touched a sympathetic chord, and so went out to their home and gladdened their hearts. We presume after that visit the stepmother wished she had been less close with her candles. We remember that time well; the philosopher was an old acquaintance; the weather had turned intensely cold, and he said to us he was unprovided with a sufficiently warm clothing for a return by stage coach over the mountains. A winter fashion at that time in the Ohio valley was a huge coarse blue blanket with a black border of about six inches. These shawls were extensively made into overcoats, whereon their black zebra-like stripes had full display. A more uncouth appearing garment could not be well imagined either as shawl or overcoat. It was warm, but absorbed rain like a sponge. The shawls had struck the philosophic eye, they were so peculiarly what was then known as "Western," and to an inquiry we replied we had one not in use to which he was welcome. He gratefully accepted the gift and wore it home as a specimen of Cincinnati fashions, carrying, too, in its meshes a generous quantity of the city's soot, for which the garment had an especial retaining adaptability. To have thus ministered in that long ago to the comfort of an old-time philosopher bent on reforming mankind and inviting young men "to go West" is another pleasing picture on "Memory's walls." Nearly thirty years elapsed ere we again saw the sage -he was on his Presidential canvass, riding through Fourth street in an open barouche. His white, benevolent face had broadened, and he was bowing and smiling to the people, looking "for all the world" like some good old grandmamma when bent on dispensing to the youngsters some good warm gingerbread just out of the oven. Having obtained recognition from the Eastern literati and some pecuniary success by a volume of their poems, in 1852, the sisters, first Alice and then Phoebe Cary, removed to New York to devote, themselves to literature. They established themselves in a modest home, and by their habits of industry and frugality had success from the very start. Occasionally they visited their old home and resumed the habits of their girlhood days. When they had obtained literary eminence they established on Sunday evenings weekly receptions, when for a term of fifteen years were wont to gather the finest intellects, the most cultured characters of the metropolis and the East. Assemblies so comprehensive in elements so comprehensive in elements, so intellectually varied and harmonious, were never before seen in the metropolis. They were quite informal and not especially gratifying to the mere butterflies of fashion whom curiosity sometimes prompted to attend. Alice was frail, and in her last sickness, prolonged for years, she was tenderly nursed by her stronger sister, bearing her great sufferings with wonderful patience and resignation. She died February 12, 1871, and five months later Phoebe followed her. She was naturally robust in health, but she had been weakened by intense sorrow, and then becoming exposed to malarial influences quickly followed her sister. Both were buried in Greenwood cemetery. It had been pitiful to see Phoebe's efforts to bear up under her dreadful loneliness after her sister's death. "She opened the windows to admit the sunlight, she filled her room with flowers, she refused to put on mourning and tried to interest herself in general plans for the advancement of woman. All in vain. Her writings were largely poems, parodies and hymns." One of her poems, written when she was only eighteen years of age, has a world-wide reputation. It's title is "Nearer Home," and it has filled a page in nearly every book of sacred song since it s composition. Its opening verses are: One sweetly solemn thought Comes to me o'er and o'er I am nearer home to-day Than I ever have been before. Nearer my Father's house Where the mansions be: Nearer the great white throne, Nearer the crystal sea. -continued in part 41 -------------------------------- End of OH-FOOTSTEPS-D Digest V99 Issue #505 *******************************************